Disney

AVOD Streaming Gains Ground

February 16, 2020 FilmTake Comments Off

AVOD is gaining ground on SVOD in the United States. The proportion of television viewership that is through streaming services has almost doubled since 2018.

Cord-Cutting Gains Momentum

February 11, 2020 FilmTake Comments Off

In the fourth quarter, two million US subscribers cut the cord on traditional television packages from AT&T, Comcast, Charter, and Verizon, up from 1.7 million in the third quarter.

Disney Aims At Netflix

February 6, 2020 FilmTake Comments Off

Disney+ nearly triples its subscriber base since launching in November. Through January, the streaming service has 28.6 million subscribers, up from 10 million weeks after it debuted.

UPDATED: Sundance Heats Up

January 28, 2020 FilmTake Comments Off

After a slow start to the 35th annual Sundance Film Festival, the weekend produced a handful of sizable deals, including from Amazon Studios, Searchlight Pictures, and Lionsgate.

Netflix Results Are In

January 22, 2020 FilmTake Comments Off

Netflix missed its subscriber forecast in the US and Canada. Despite that, the streamer beat its overseas estimate of 7 million by adding 8.33 million.

Netflix Shatters Glass Ceiling

January 21, 2020 FilmTake Comments Off

Netflix shocked most industry observers by receiving a leading 24 Academy Award nominations, more than any other distributor, including two for Best Picture.

Will Sundance Boom or Bust?

January 20, 2020 FilmTake Comments Off

After a lackluster Sundance in 2018, last year was full of mega-deals, especially by Netflix and Amazon. Buyers spent over $120 million acquiring rights to some 40 films.

Production Battle of Britain

January 15, 2020 FilmTake Comments Off

There is a mad rush by the most significant content creators, especially streaming services, to utilize the production infrastructure in England as a base of European operations.

Box Office Declines

January 6, 2020 FilmTake Comments Off

The box office in North America was down almost 5% from 2018 even after rising ticket prices, and despite a slew of mega-budget franchise films being released.

Netflix Claims Originals Win Out

January 1, 2020 FilmTake Comments Off

Netflix continues to publicize unsubstantiated claims that its original films and shows outperform third-party content contrary to all independent research.

Since first delivering DVDs to homes via the postal service, Netflix has come to dominate the SVOD market. The streamer has 67 million subscribers in North America, which takes its total to nearly 160 million worldwide.

Streaming Bout

December 4, 2019 FilmTake Comments Off

The streaming bout between Netflix and traditional media companies for the world’s online video subscribers is well underway.

Monopolizing Europe

November 27, 2019 FilmTake Comments Off

The studio cartel system continues to thrive in Europe even after several seemingly disruptive interventions by the European Commission.

Made-For-Streaming Movies

November 17, 2019 FilmTake Comments Off

After years of declining production activity for Made-For-TV movies, Netflix is accelerating the rate it licenses and produces lower-budgeted movies for its streaming platform.

Free Streaming Offers

November 12, 2019 FilmTake Comments Off

Heavyweights Disney and Apple are offering free introductory offers to gain a head start over rivals. Select Verizon subscribers in the United States will get free access to Disney+ for a year.

Netflix Needs Content

November 7, 2019 FilmTake Comments Off

Although Netflix remains committed to producing original content, it is preparing to license more content from independent producers and distributors.

New Details Emerge About HBO Max

November 5, 2019 FilmTake Comments Off

AT&T’s WarnerMedia released details about its forthcoming streaming service HBO Max, which will officially launch in May 2020. The service will cost $14.99 a month, the same cost as HBO’s flagship service.

British Content Boom

October 29, 2019 FilmTake Comments Off

As multiple streaming services prepare for an intensifying battle over European subscribers, British-made content continues to surge. This content bonanza and bidding wars between buyers are driving up prices for shows.