Last week the auditor for the state of Georgia released a report calling into question the value of the state’s popular film and television production credit program.
Netflix continues to publicize unsubstantiated claims that its original films and shows outperform third-party content contrary to all independent research.
The reason for this lavishly spending spree is in response to new streaming competition by the studios and the upcoming exodus of content.
Against the backdrop of new streaming competition, Netflix is significantly increasing the amount it invests in producing, licensing, and acquiring films and shows.
Amazon Studios has relied on traditional distribution practices to foster greater collaboration with gatekeepers in Hollywood. However, after playing second fiddle to Netflix for the better part of a decade, Amazon is changing its theatrical strategy stateside.
After years of declining production activity for Made-For-TV movies, Netflix is accelerating the rate it licenses and produces lower-budgeted movies for its streaming platform.
Netflix expanded its global footprint with a ten-year lease at the U.K’s Shepperton Studios. The lease grants Netflix exclusive access to a majority of Shepperton including 14 sound stages.
Netflix’s $8 billion production allocation for 2018 to produce and acquire 700 shows and films is already reaping record new subscribers.
CBS Films did not acquire I, Tonya after all – Neon and 30WEST will distribute in the U.S. UK’s Icon Film Distribution runs out of money, again!
TIFF Take Two: Protagonist starts sales on Cumberbatch bare-knuckle adaptation. Ed Arentz launches distributor Greenwich Entertainment.