2023 – Page 2 – FilmTake

Lionsgate Faces Substantial Financial Risks and Capital Requirements

July 26, 2023 FilmTake Comments Off

Lionsgate has failed to deliver on long-touted plans for cash injection by spinning off Starz. Despite ongoing delays and several missed deadlines, Lionsgate is reportedly one of three final suitors vying for Canada’s eOne.

The Never-Ending Story: Lionsgate’s Financial Maneuvers and the Fate of Starz

June 28, 2023 FilmTake Comments Off

The much-delayed spinoff of Starz was initially sold to investors as a way to unlock value by selling all or most of Starz but has now morphed into a way to separate and sell Lionsgate. The details remain murky after nearly two years of delays.

The Great Reset: Ever-Increasing Content Spending Leads to Financing Exodus

June 8, 2023 FilmTake Comments Off

After years of runaway content spending by leading streaming services, the industry is experiencing significant disruptions as it braces for more downsizing.

Streamers Swiftly Shift Strategies from Content Exclusivity Back to Partnerships

March 9, 2023 FilmTake Comments Off

Less than a year ago, the largest content rights holders, including Warner Bros, were hoarding vast libraries of content from third-party licensees for use on their respective direct-to-consumer streaming services, reversing standard practices since time immemorial.

How Streamers and Lockdowns Distorted Distribution Prices

February 15, 2023 FilmTake Comments Off

Even before unprecedented disruptions to the theatrical market, established film buyers and sellers were under tremendous financial pressure after spendthrift streamers elbowed in to populate their sparse film catalogs and vie for Oscar gold.

Sundance Fails to Ignite an Apathetic Independent Film Market

February 8, 2023 FilmTake Comments Off

By every measure, the theatrical market for independent films remains on life support after the first in-person Sundance Film Festival since the ‘before times’ in January 2020.

Netflix’s New Advertising Tier is Off to a Shaky Start

January 25, 2023 FilmTake Comments Off

Netflix’s ad-based tier aims to reduce the high churn the company faced in 2022, attract new subscribers, and lure back those who canceled. However, by all measures, the rushed experiment is failing. Netflix’s AVOD tier accounts for just 12% of its subscriber base.

Broken Windows: Inside Hollywood’s Lucrative Film Licensing Deals

January 15, 2023 FilmTake Comments Off

The battle over film licensing exclusivity transpired as expected once Netflix transitioned from a content aggregator to a content creator. One-by-one the major studios built direct-to-consumer streaming services to compete with Netflix.

Streaming Services Revert to Advertising to Drive Subscriber Growth

January 12, 2023 FilmTake Comments Off

Last year was the first year in the previous four years that didn’t welcome a new subscription streaming service from Hollywood’s major players. The lack of a new streaming service did not stop the existing services from offering new ways to watch content through paid and free ad-supported options.

Global Rights Suite

Distribution Intelligence

May 22, 2026 Comments Off

Film Licensing Index

Distribution Intelligence

May 22, 2026 Comments Off

Distribution Intelligence

Film Advance Index

May 22, 2026 Comments Off

Distribution

Cannes 2026 Opens With Prestige Under Pressure and Buyers Searching for Audiences

May 12, 2026 Comments Off

Distribution

Cannes 2026 Cheat Sheet: The Films, Sellers, and Market Signals to Watch

May 11, 2026 Comments Off

Distribution

Cannes 2026 Splits in Two: Prestige Projects Inside the Festival, Structured Packages Outside It

May 1, 2026 Comments Off

Distribution

Who Owns the New Warner-Paramount? Renewed Scrutiny as Foreign Ownership Nears 50%

April 27, 2026 Comments Off

Global Film Licensing Values Are Repricing as Later Windows Gain Momentum

Streaming

April 16, 2026 Comments Off

Global film licensing values are shifting as first-run pricing plateaus and greater economic weight moves to second-window and library rights. The updated GFLI data reflects a post-2020 market defined by tighter buyer discipline, structured pricing, and more rational value distribution across the full lifecycle of film rights.

The Shrinking Buyer Pool and the New Economics of Streaming Licensing

Streaming

April 6, 2026 Comments Off

Streaming has long been treated as a replacement for traditional television, with audiences steadily migrating away from broadcast and cable. That narrative no longer captures the full picture. What matters now is how streaming is being integrated into existing distribution systems, reshaping how content is packaged, sold, and ultimately valued.

From Platforms to Packages: Bundling Is Rewriting Streaming Economics

Streaming

March 24, 2026 Comments Off

Streaming Regulation and Releasing Windows Are Reshaping SVOD Licensing Economics

Streaming

March 13, 2026 Comments Off

For the past decade, streaming economics were framed as a simple growth story. Subscriber gains masked rising content costs, and the prevailing assumption was that scale alone would eventually solve the margin problem. That assumption is now being tested as regulatory pressure, hybrid monetization models, and evolving release windows reshape how platforms acquire and value content.

Streaming, Windowing, and the New Access Economy: Why Control Beats Content in 2026

Streaming

December 28, 2025 Comments Off

For most of the past decade, the streaming business was defined by a single, deceptively simple premise: more content equals more subscribers. Platforms raced to outspend one another, greenlighting volume at unprecedented levels, compressing windows, and treating exclusivity as an absolute virtue.