Distribution

EFM 2026 After the Applause: Attendance Up, Deals Down, and the Industry’s Slow-Motion Correction

Berlin’s European Film Market closed with rising attendance, expanded programming, and a visible industry presence that reinforced its role as the year’s first global convening point. Yet behind those activity metrics, tangible deal momentum remained comparatively thin.

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EFM 2026 Analysis: How Capital, AI, and IP Strategy Are Shaping Film Dealmaking

EFM arrives at a moment when the global film and television business is no longer in freefall, but it is no longer forgiving either; it has found its floor. Commissioning remains at roughly three-quarters of peak-TV highs. Streamer spending continues, but without the frenzy of prior years. Europe’s broadcasters remain constrained. The result is not contraction, but constraint.

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First Real Market Test of 2026: What EFM Signals for the New Deal Cycle

The European Film Market (EFM) returns to Berlin February 12–18, 2026, and this year’s message is unusually clear: the business isn’t “back” in any nostalgic sense—but it is moving, and in more directions than it has in the past two years. EFM’s expanded 2026 programme is a signal about where business development is headed.

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Who Wins in 2026? Survivors, Losers, and the Strategies That Still Work

As Sundance wrapped with more films seeking homes than landing deals, and EFM looms as the first major sales test of the year, the question is no longer who has the best film, but who is best aligned with today’s market. 2026 will reward scale, discipline, and precision, and punish nostalgia for a business that no longer exists.

Distribution

The 2025 Film Markets Reality Check: Cannes, Sundance, TIFF, and AFM Under a Tighter Rulebook

The 2025 film markets delivered a consistent message across continents and calendars. Sundance tested demand. Cannes refined presales. TIFF amplified select winners. AFM clarified the new floor. Together, they confirmed that the industry is not rebounding to its old shape. It is stabilizing at a smaller, more disciplined scale. Fewer films will move. Fewer territories will matter. Fewer buyers will decide outcomes.

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Cannes Recalibrates: Pre-Sales Shrink, Streamers Stall, and Co-Productions Surge

The 2025 Cannes Market delivered more questions than answers, as industry players navigated, stalled US deals, shrinking Pay-1 licensing windows, and a growing rift between premium and mid-budget titles. High production and distribution costs are driving greater selectivity among studios and streamers, leaving many films without buyers in the North American market.

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Cannes 2025: Rising Costs, Fewer Bets, and Smarter Deals in a High-Stakes Market

Despite record attendance and renewed energy on the Croisette, the Cannes 2025 Film Market is operating under the familiar strains of soaring acquisition costs, and a struggle to reconcile rising budgets with narrowing margins. For buyers and sellers alike, the market is less about glitz and more about financial clarity, pricing discipline, and navigating global distribution headwinds.

Distribution

All Eyes on Pre-Sales: Can Cannes 2025 Spark a Market Revival?

The slowdown in packaging during the first half of the year, has led to a stronger-than-usual Cannes lineup. The market is flush with well-developed packages and finished films with genuine theatrical potential. With more robust slates from top sales agencies and buyers reportedly ready to move on high-promise titles, Cannes 2025 could outperform recent years.

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Inside Cannes 2024: Adapting to Struggles and Shifts in the Independent Film Market

At this year’s Cannes, there’s a mix of optimism and weariness. High asking prices and low theatrical demand are notable. Streamers like Apple and Netflix lead significant acquisitions, sidelining traditional distributors. The market remains cautious, focusing on star-driven projects and strategic financial planning.

Distribution

The Struggle to Shine: Steering Through the Post-Theatrical Era

The independent market is at a crossroads. Traditional strategies are no longer effective, and the task of bringing audiences back to cinemas remains daunting. Insiders are actively pursuing solutions to these seemingly insurmountable challenges. Despite these obstacles, some believe the film industry is on the verge of recovery.

Distribution

Cannes Conundrum: Navigating the New Realities of the Independent Film Market

A significant concern voiced since the start of Cannes is the noticeable absence of US theatrical deals. This void has a cascading effect on international distribution. Films without a US distributor face deteriorating values over time, making it increasingly challenging to recoup production budgets.

Distribution

Cannes Cheat Sheet: What Films are Screening, Who’s Representing Distribution Rights, and Territories Taken

After years of declining demand for independent films, producers, sales agencies, and distributors report a significant pre-sales market resurgence heading into Cannes. Download Your Free Cannes Film Festival Cheat Sheet Below with Titles, Directors, Sales Representatives, Deals Signed, Links to IMDbPro, and More.

Distribution

All Eyes on Cannes After Strong Sales at EFM and Sundance

Given the number and quality of projects at Sundance and EFM Berlin, there is a feeling of cautious optimism going into Cannes next week. This year’s Cannes will launch a new Cannes Remakes initiative focusing on remaking European films, with a focus on France, Italy, and Spain.

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UPDATED: Sundance Heats Up

After a slow start to the 35th annual Sundance Film Festival, the weekend produced a handful of sizable deals, including from Amazon Studios, Searchlight Pictures, and Lionsgate.

Distribution

Sundance Slumps

Deal activity is muted so far at this year’s festival despite claims that producers and sales agents were withholding their best films at TIFF in September to introduce at Sundance.

Distribution

Will Sundance Boom or Bust?

After a lackluster Sundance in 2018, last year was full of mega-deals, especially by Netflix and Amazon. Buyers spent over $120 million acquiring rights to some 40 films.