November 2017 » FilmTake

Amazon Abandons Live Television Ambitions

November 19, 2017 FilmTake Comments Off

Cable networks use bulk pricing to spurn Amazon’s ambitions to launch a skinny bundle with on-demand streaming and live television.

Comcast and Verizon Join Disney in Bid for Fox Assets

November 16, 2017 FilmTake Comments Off

Comcast drops its bid to acquire Twenty-First Century Fox. Disney will likely purchase Fox’s film and television assets before 2017 is over.

Hollywood Studios Search For New Money [Part One]

November 14, 2017 FilmTake Comments Off

A false narrative is being advanced by news outlets that the reason for multiple failed deals is China’s clampdown on foreign investment.

Netflix’s Sexual Harassment Problems [Update]

November 8, 2017 FilmTake Comments Off

Many questions remain unanswered about the culpability of Netflix and MRC in the furtherance of sexual abuse by Spacey during House of Cards.

Distribution

Disney Attempts to Buy Fox Film and TV Assets

November 6, 2017 FilmTake Comments Off

Walt Disney Co has been in talks for the last couple weeks to buy film and television assets from conglomerate Twenty-First Century Fox.

Are Hybrid Markets Here to Stay?

Distribution

March 30, 2021 Comments Off

Opinions are mixed about whether film and television markets should return to their pre-lockdown physical format or retain some online elements and transition to a hybrid model.

Streamers Gain More Ground

Streaming

March 17, 2021 Comments Off

Many sales agents are now positioning as wholesalers and content placement agents for streaming platforms—particularly in Europe, where there are over 450 video streaming services.

Virtual EFM Bolsters Film Market

Distribution

March 13, 2021 Comments Off

Despite muted expectations by sellers, buyers, and producers heading into the virtual European Film Market on March 1, most reported a successful and busy market.

EFM: Open For Business

Distribution

March 1, 2021 Comments Off

Theatrical buyers, streaming services, and networks are all taking a fresh look at independent films as they struggle to fill programming gaps and meet the growing demand for filmed entertainment.