PayTV

Distribution

The Window Is the Product: Why Streaming’s Next Battleground Is Access, Not Content

April 18, 2025 FilmTake Comments Off on The Window Is the Product: Why Streaming’s Next Battleground Is Access, Not Content

The dominance of social video platforms and the plateau of streaming growth signal a new phase in entertainment. Content alone is no longer a moat, as production becomes riskier and audiences more complicated to retain—especially as many content creators and executives prioritize agenda-driven programming over compelling storytelling.

Streaming

One Platform to Rule Them All: Aggregation Will Alter Streaming Markets in 2025

January 7, 2025 FilmTake Comments Off on One Platform to Rule Them All: Aggregation Will Alter Streaming Markets in 2025

Standalone SVOD services are experiencing a shift as consumers grapple with rising costs and subscription stacking. Many are turning to video aggregators, which simplify access but risk escalating prices. The market may soon consist of fewer standalone players alongside aggregators, highlighting the necessity for service bundling to reduce churn and enhance consumer convenience.

Broadcast & PayTV

Splitting the Difference: Why Warner Bros. and Comcast Are Carving Up Their Empires

December 17, 2024 FilmTake Comments Off on Splitting the Difference: Why Warner Bros. and Comcast Are Carving Up Their Empires

Warner Bros. Discovery and Comcast are restructuring to separate their declining linear TV networks from streaming divisions, signaling the end of linear television’s dominance. This strategy, framed as a means to enhance value, highlights the sector’s collapse as advertisers and viewers shift to digital platforms. Mergers or sell-offs are imminent.

Streaming

Who’s Thriving and Who’s Struggling: Annual Streaming Scorecard Part Five

April 24, 2024 FilmTake Comments Off on Who’s Thriving and Who’s Struggling: Annual Streaming Scorecard Part Five

It’s difficult to overstate the disastrous few years Warner Bros. has experienced under inept leadership. Boosting one of the most desirable film and television catalogs, the company has stumbled over every vital decision since 2020. WBD’s financials reflect the industry’s broader issues.

Streaming

Streaming Hopping

February 8, 2021 FilmTake Comments Off on Streaming Hopping

At the start of 2020, consumers in the United States subscribed to an average of three paid streaming services, but after months of government-mandated lockdowns, the number has increased to five.

Streaming

Streaming in the UK

August 30, 2020 FilmTake Comments Off on Streaming in the UK

Since the COVID lockdown began, nearly five million UK households have signed up for a streaming service. Netflix, Amazon, and Disney+ have been the primary beneficiaries of this boom.

Production

British Content Boom

October 29, 2019 FilmTake Comments Off on British Content Boom

As multiple streaming services prepare for an intensifying battle over European subscribers, British-made content continues to surge. This content bonanza and bidding wars between buyers are driving up prices for shows.

Cord Cutting Accelerates
Distribution

Cord Cutting Accelerates

April 16, 2019 FilmTake Comments Off on Cord Cutting Accelerates

There is even more bad news for pay television providers. Unlike 2017, subscribers signing up for cheaper online television bundles are starting to contract.

Fractured Content Landscape
Streaming

Fractured Content Landscape

April 2, 2019 FilmTake Comments Off on Fractured Content Landscape

More and more consumers are piecing together entertainment content from multiple services rather than relying on a traditional cable television package.