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Latest
  • [ April 27, 2026 ] Who Owns the New Warner-Paramount? Renewed Scrutiny as Foreign Ownership Nears 50% Distribution
  • [ April 26, 2026 ] Cannes 2026: Stronger Packages, Tighter Capital, and a Market Built on Control Distribution
  • [ April 16, 2026 ] Global Film Licensing Values Are Repricing as Later Windows Gain Momentum Streaming
  • [ April 6, 2026 ] The Shrinking Buyer Pool and the New Economics of Streaming Licensing Streaming
  • [ March 24, 2026 ] From Platforms to Packages: Bundling Is Rewriting Streaming Economics Streaming
HomeNational Amusements

National Amusements

Distribution

Skydance Wins Paramount Deal as Bronfman Withdraws After Chaotic Bidding War

August 30, 2024 FilmTake Comments Off on Skydance Wins Paramount Deal as Bronfman Withdraws After Chaotic Bidding War

Edgar Bronfman Jr., the Seagram’s liquor heir who briefly posed a half-hearted challenge to Skydance Media’s takeover of Paramount Global, has officially withdrawn from the race. Bronfman’s exit clears the path for Skydance Media.

Distribution

Paramount Extends Skydance Merger Deadline as Bronfman Up Buyout Offer

August 22, 2024 FilmTake Comments Off on Paramount Extends Skydance Merger Deadline as Bronfman Up Buyout Offer

As Wednesday’s deadline loomed, the already complex battle for control of Paramount Global took another twist. The investor group led by Bronfman made a desperate move to stay in the game by increasing its bid for National Amusements to $6 billion.

Distribution

Deal Deadline Ends Today: Inside the Battle for Control of Paramount Global

August 20, 2024 FilmTake Comments Off on Deal Deadline Ends Today: Inside the Battle for Control of Paramount Global

Amid today’s deadline, the competition to acquire Paramount Global has taken a dramatic turn with the emergence of a new contender. Edgar Bronfman Jr., the heir to Seagram’s liquor, has submitted a $4.3 billion bid to acquire Paramount, directly challenging Skydance’s $8 billion bid.

Distribution

Paramount’s Financial Turmoil: Soaring Losses, Layoffs, and Massive Impairment Charge

August 17, 2024 FilmTake Comments Off on Paramount’s Financial Turmoil: Soaring Losses, Layoffs, and Massive Impairment Charge

Amid a looming deadline to sell the once-storied studio, Paramount Global reported a staggering net loss of $5.4 billion in Q2 2024, primarily driven by a $5.98 billion impairment charge, a dramatic deterioration from the previous year.

Distribution

Paramount’s Troubled Waters: A Tale of Failed Mergers, Mismanagement, and Dubious Deals

August 4, 2024 FilmTake Comments Off on Paramount’s Troubled Waters: A Tale of Failed Mergers, Mismanagement, and Dubious Deals

Recent weeks have seen Paramount Global navigate turbulent waters, with its shares plunging and its credibility questioned. The highly publicized failed merger and acquisition bid from Apex Capital Trust has placed the company under intense scrutiny.

Distribution

Paramount-Skydance Merger Collapses: Inside the Failed Negotiations

June 11, 2024 FilmTake Comments Off on Paramount-Skydance Merger Collapses: Inside the Failed Negotiations

Skydance’s merger talks with Paramount collapsed in epic fashion on Tuesday after Paramount’s controlling shareholder canceled the deal, ending an attempt to turn around the troubled studio. The deal fell through just as it was about to be finalized.

Distribution

Update: Skydance Media Acquisition of Paramount Diminished After Disjointed Annual Meeting

June 5, 2024 FilmTake Comments Off on Update: Skydance Media Acquisition of Paramount Diminished After Disjointed Annual Meeting

At their annual meeting on Tuesday, Paramount executives unveiled a plan to reduce costs and seek a partner for their streaming service. As a result, shares dropped nearly 5% as prospects for a merger with Skydance Media diminished.

NEW: Global Film Licensing Index

Distribution Intelligence

Global Film Licensing Index

April 15, 2026 Comments Off on Global Film Licensing Index

A newly rebuilt pricing intelligence framework for film licensing across SVOD, Pay-1, and multi-window distribution, reflecting the post-2020 reset in market behavior, with structured benchmarks, rate cards, and forward estimates aligned with how deals are priced today.

Netherlands Film Fund

Latest Industry Insights

Who Owns the New Warner-Paramount? Renewed Scrutiny as Foreign Ownership Nears 50%

Distribution
April 27, 2026 Comments Off on Who Owns the New Warner-Paramount? Renewed Scrutiny as Foreign Ownership Nears 50%

Cannes 2026: Stronger Packages, Tighter Capital, and a Market Built on Control

Distribution
April 26, 2026 Comments Off on Cannes 2026: Stronger Packages, Tighter Capital, and a Market Built on Control
Streaming

Global Film Licensing Values Are Repricing as Later Windows Gain Momentum

April 16, 2026 Comments Off on Global Film Licensing Values Are Repricing as Later Windows Gain Momentum
Distribution Intelligence

Global Film Licensing Index

April 15, 2026 Comments Off on Global Film Licensing Index
Streaming

The Shrinking Buyer Pool and the New Economics of Streaming Licensing

April 6, 2026 Comments Off on The Shrinking Buyer Pool and the New Economics of Streaming Licensing
Streaming

From Platforms to Packages: Bundling Is Rewriting Streaming Economics

March 24, 2026 Comments Off on From Platforms to Packages: Bundling Is Rewriting Streaming Economics
Distribution Intelligence

FilmTake Global Advance Index

March 19, 2026 Comments Off on FilmTake Global Advance Index

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Streaming News

Global Film Licensing Values Are Repricing as Later Windows Gain Momentum

Streaming
April 16, 2026 Comments Off on Global Film Licensing Values Are Repricing as Later Windows Gain Momentum

Global film licensing values are shifting as first-run pricing plateaus and greater economic weight moves to second-window and library rights. The updated GFLI data reflects a post-2020 market defined by tighter buyer discipline, structured pricing, and more rational value distribution across the full lifecycle of film rights.

The Shrinking Buyer Pool and the New Economics of Streaming Licensing

Streaming
April 6, 2026 Comments Off on The Shrinking Buyer Pool and the New Economics of Streaming Licensing

Streaming has long been treated as a replacement for traditional television, with audiences steadily migrating away from broadcast and cable. That narrative no longer captures the full picture. What matters now is how streaming is being integrated into existing distribution systems, reshaping how content is packaged, sold, and ultimately valued.

From Platforms to Packages: Bundling Is Rewriting Streaming Economics

Streaming
March 24, 2026 Comments Off on From Platforms to Packages: Bundling Is Rewriting Streaming Economics

Streaming has long been treated as a replacement for traditional television, with audiences steadily migrating away from broadcast and cable. That narrative no longer captures the full picture. What matters now is how streaming is being integrated into existing distribution systems, reshaping how content is packaged, sold, and ultimately valued.

Streaming Regulation and Releasing Windows Are Reshaping SVOD Licensing Economics

Streaming
March 13, 2026 Comments Off on Streaming Regulation and Releasing Windows Are Reshaping SVOD Licensing Economics

For the past decade, streaming economics were framed as a simple growth story. Subscriber gains masked rising content costs, and the prevailing assumption was that scale alone would eventually solve the margin problem. That assumption is now being tested as regulatory pressure, hybrid monetization models, and evolving release windows reshape how platforms acquire and value content.

Streaming, Windowing, and the New Access Economy: Why Control Beats Content in 2026

Streaming
December 28, 2025 Comments Off on Streaming, Windowing, and the New Access Economy: Why Control Beats Content in 2026

For most of the past decade, the streaming business was defined by a single, deceptively simple premise: more content equals more subscribers. Platforms raced to outspend one another, greenlighting volume at unprecedented levels, compressing windows, and treating exclusivity as an absolute virtue.

Starz Pay-1 Licensing Rates

Distribution Intelligence

Starz Pay-1 Licensing Rates: What Starz Paid for Sony Films

February 13, 2026 Comments Off on Starz Pay-1 Licensing Rates: What Starz Paid for Sony Films

The STARZ Pay-1 Film Rate Report takes you inside the Pay Television Licensing Agreement between Sony Pictures and Starz Entertainment, covering Motion Pictures released between 2013 and 2022.

NEW: Global Film Licensing Index

Distribution Intelligence

Global Film Licensing Index

April 15, 2026 Comments Off on Global Film Licensing Index

A newly rebuilt pricing intelligence framework for film licensing across SVOD, Pay-1, and multi-window distribution, reflecting the post-2020 reset in market behavior, with structured benchmarks, rate cards, and forward estimates aligned with how deals are priced today.

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