Apple TV+ – Page 2

The Churn Challenge: Streamers Vie for Viewer Loyalty in a Saturated 2024 Market

August 22, 2024 FilmTake Comments Off

Despite the surge in streaming activity, SVOD platforms grapple with accelerated subscriber churn. The allure of a new show draws in viewers, but once the credits roll, many quickly cancel their subscriptions, leading to a cycle of rapid gains and losses.

Content Spending Slumps in the Post-Peak Television Era

July 19, 2024 FilmTake Comments Off

After reaching unprecedented heights, the film and television market is now charting a more cautious path in the post-peak television era. Several recent forecasts shed light on the slowdown in television content spending, emphasizing the shift in priorities and austerity for major media companies.

Who’s Thriving and Who’s Struggling: Annual Streaming Scorecard Part Three

March 14, 2024 FilmTake Comments Off

Before unprecedented disruptions during 2020-21, streaming giants like Netflix and Amazon invested heavily in original films, but their investments have since fallen sharply. Likewise, the head of motion pictures departed after Netflix failed to deliver meaningful film releases.

Not All Streaming Services Will Survive the Year in Their Current Form

February 25, 2024 FilmTake Comments Off

Mounting losses at Paramount and NBCUniversal, particularly, have put into doubt the survival of Paramount+ and Peacock in their current iteration. Paramount’s situation reflects the broader challenges of balancing growth, content spending, and subscriber retention with profitability.

The Future of Streaming Will End in Tiers

February 21, 2024 FilmTake Comments Off

Breaking News: Freevee Will Shutdown After Amazon Adamantly Denies Claims. Recently, on Prime Video, ads started popping up on scripted series and films. Over 167 million existing Amazon Prime members in the U.S. are now required to pay an additional $3 per month to enjoy the same service they signed up for to avoid ads.

Who’s Thriving and Who’s Struggling: Annual Streaming Scorecard Part One

January 4, 2024 FilmTake Comments Off

Apple TV+ made significant strides in expanding its film offerings in 2023 despite facing challenges such as inflation-driven price increases and the need to refine its user experience. The quest for a marquee series remains a prominent concern as the streaming service enters 2024.

Steering Through the Streaming Sea Change: Apple and Paramount Partnership Eminent

December 18, 2023 FilmTake Comments Off

Apple and Paramount are on the verge of forging a bundling partnership that will include Apple TV+ and Paramount+, marking the next chapter in the streaming story. Evolving industry developments indicate an overall trend toward strategic partnerships to compete with Netflix.

Surging Growth in Third-Party Licensing as Studios Drop Exclusive Deals

December 7, 2023 FilmTake Comments Off

The shift away from originals at Netflix is welcome news for distributors that have grown wary of content exclusivity and are again licensing films and shows to their streaming competitors, especially Netflix, which pays top dollar.

Streaming Content Strategy: Global Ambitions Meet Economic Realities

October 25, 2023 FilmTake Comments Off

Top premium streaming platforms, Netflix, Amazon Prime Video, Disney+, Apple TV+, Paramount+, and Max, are on target to spend $42 billion for original and acquired film and TV by the end of the year. Crime, romance, and dramas lead the pack in acquired content spending.

Sundance Fails to Ignite an Apathetic Independent Film Market

February 8, 2023 FilmTake Comments Off

By every measure, the theatrical market for independent films remains on life support after the first in-person Sundance Film Festival since the ‘before times’ in January 2020.

Cannes 2026 Opens With Prestige Under Pressure and Buyers Searching for Audiences

Distribution

May 12, 2026 Comments Off

Cannes 2026 Cheat Sheet: The Films, Sellers, and Market Signals to Watch

Distribution

May 11, 2026 Comments Off

Distribution

Cannes 2026 Splits in Two: Prestige Projects Inside the Festival, Structured Packages Outside It

May 1, 2026 Comments Off

Distribution

Who Owns the New Warner-Paramount? Renewed Scrutiny as Foreign Ownership Nears 50%

April 27, 2026 Comments Off

Distribution

Cannes 2026: Stronger Packages, Tighter Capital, and a Market Built on Control

April 26, 2026 Comments Off

Streaming

Global Film Licensing Values Are Repricing as Later Windows Gain Momentum

April 16, 2026 Comments Off

Distribution Intelligence

Global Film Licensing Index

April 15, 2026 Comments Off

Global Film Licensing Values Are Repricing as Later Windows Gain Momentum

Streaming

April 16, 2026 Comments Off

Global film licensing values are shifting as first-run pricing plateaus and greater economic weight moves to second-window and library rights. The updated GFLI data reflects a post-2020 market defined by tighter buyer discipline, structured pricing, and more rational value distribution across the full lifecycle of film rights.

The Shrinking Buyer Pool and the New Economics of Streaming Licensing

Streaming

April 6, 2026 Comments Off

Streaming has long been treated as a replacement for traditional television, with audiences steadily migrating away from broadcast and cable. That narrative no longer captures the full picture. What matters now is how streaming is being integrated into existing distribution systems, reshaping how content is packaged, sold, and ultimately valued.

From Platforms to Packages: Bundling Is Rewriting Streaming Economics

Streaming

March 24, 2026 Comments Off

Streaming Regulation and Releasing Windows Are Reshaping SVOD Licensing Economics

Streaming

March 13, 2026 Comments Off

For the past decade, streaming economics were framed as a simple growth story. Subscriber gains masked rising content costs, and the prevailing assumption was that scale alone would eventually solve the margin problem. That assumption is now being tested as regulatory pressure, hybrid monetization models, and evolving release windows reshape how platforms acquire and value content.

Streaming, Windowing, and the New Access Economy: Why Control Beats Content in 2026

Streaming

December 28, 2025 Comments Off

For most of the past decade, the streaming business was defined by a single, deceptively simple premise: more content equals more subscribers. Platforms raced to outspend one another, greenlighting volume at unprecedented levels, compressing windows, and treating exclusivity as an absolute virtue.