August, 2024 - FilmTake

Skydance Wins Paramount Deal as Bronfman Withdraws After Chaotic Bidding War

August 30, 2024 FilmTake Comments Off

Edgar Bronfman Jr., the Seagram’s liquor heir who briefly posed a half-hearted challenge to Skydance Media’s takeover of Paramount Global, has officially withdrawn from the race. Bronfman’s exit clears the path for Skydance Media.

The Ad-Supported Gamble: How Netflix’s Missing Titles Affect Its Value Perception

August 27, 2024 FilmTake Comments Off

At the launch of the ad-supported tier, 326 titles—about 5% of Netflix’s U.S. library—were missing due to unresolved licensing agreements. This gap includes around 60 Netflix Originals and 266 licensed titles, accounting for 11% of U.S. demand.

Streaming Services Join Forces: The Power of Bundling to Combat Churn

August 26, 2024 FilmTake Comments Off

In response to the growing churn problem, streaming giants like Netflix, Disney, WBD, NBCUniversal, and Apple TV+ are launching bundled services. These bundles aim to provide greater value to consumers, thereby reducing the likelihood of cancellations.

The Churn Challenge: Streamers Vie for Viewer Loyalty in a Saturated 2024 Market

August 22, 2024 FilmTake Comments Off

Despite the surge in streaming activity, SVOD platforms grapple with accelerated subscriber churn. The allure of a new show draws in viewers, but once the credits roll, many quickly cancel their subscriptions, leading to a cycle of rapid gains and losses.

Paramount Extends Skydance Merger Deadline as Bronfman Up Buyout Offer

August 22, 2024 FilmTake Comments Off

As Wednesday’s deadline loomed, the already complex battle for control of Paramount Global took another twist. The investor group led by Bronfman made a desperate move to stay in the game by increasing its bid for National Amusements to $6 billion.

Deal Deadline Ends Today: Inside the Battle for Control of Paramount Global

August 20, 2024 FilmTake Comments Off

Amid today’s deadline, the competition to acquire Paramount Global has taken a dramatic turn with the emergence of a new contender. Edgar Bronfman Jr., the heir to Seagram’s liquor, has submitted a $4.3 billion bid to acquire Paramount, directly challenging Skydance’s $8 billion bid.

Paramount’s Financial Turmoil: Soaring Losses, Layoffs, and Massive Impairment Charge

August 17, 2024 FilmTake Comments Off

Amid a looming deadline to sell the once-storied studio, Paramount Global reported a staggering net loss of $5.4 billion in Q2 2024, primarily driven by a $5.98 billion impairment charge, a dramatic deterioration from the previous year.

Inside Netflix’s Next Chapter: Ad Tiers, Licensing Strategies, Partnerships, and Audience Engagement

August 7, 2024 FilmTake Comments Off

From the rapid adoption of its ad tier to evolving licensing strategies and the challenges of maintaining a high hit rate, Netflix is navigating a complex streaming market with more competition than ever.

Paramount’s Troubled Waters: A Tale of Failed Mergers, Mismanagement, and Dubious Deals

August 4, 2024 FilmTake Comments Off

Recent weeks have seen Paramount Global navigate turbulent waters, with its shares plunging and its credibility questioned. The highly publicized failed merger and acquisition bid from Apex Capital Trust has placed the company under intense scrutiny.

Netflix’s Cannes Buying History Shows What Streamers Want

Market Notes

May 27, 2026 Comments Off

Cannes 2026: Prestige Is Still Powerful, But Buyers Want Proof

Market Notes

May 22, 2026 Comments Off

Distribution Intelligence

Global Rights Suite

May 22, 2026 Comments Off

Distribution Intelligence

Film Licensing Index

May 22, 2026 Comments Off

Distribution Intelligence

Film Advance Index

May 22, 2026 Comments Off

Distribution

Cannes 2026 Opens With Prestige Under Pressure and Buyers Searching for Audiences

May 12, 2026 Comments Off

Distribution

Cannes 2026 Splits in Two: Prestige Projects Inside the Festival, Structured Packages Outside It

May 1, 2026 Comments Off

The Shrinking Buyer Pool and the New Economics of Streaming Licensing

Streaming

April 6, 2026 Comments Off

Streaming has long been treated as a replacement for traditional television, with audiences steadily migrating away from broadcast and cable. That narrative no longer captures the full picture. What matters now is how streaming is being integrated into existing distribution systems, reshaping how content is packaged, sold, and ultimately valued.

From Platforms to Packages: Bundling Is Rewriting Streaming Economics

Streaming

March 24, 2026 Comments Off

Streaming Regulation and Releasing Windows Are Reshaping SVOD Licensing Economics

Streaming

March 13, 2026 Comments Off

For the past decade, streaming economics were framed as a simple growth story. Subscriber gains masked rising content costs, and the prevailing assumption was that scale alone would eventually solve the margin problem. That assumption is now being tested as regulatory pressure, hybrid monetization models, and evolving release windows reshape how platforms acquire and value content.

Streaming, Windowing, and the New Access Economy: Why Control Beats Content in 2026

Streaming

December 28, 2025 Comments Off

For most of the past decade, the streaming business was defined by a single, deceptively simple premise: more content equals more subscribers. Platforms raced to outspend one another, greenlighting volume at unprecedented levels, compressing windows, and treating exclusivity as an absolute virtue.

Streaming Growth Slows: How SVOD Platforms Are Shifting Strategies in 2025

Streaming

October 30, 2025 Comments Off

Global streaming is shifting from rapid subscriber growth to a focus on retention, monetization, and diversified content delivery. With mature markets slowing and engagement slipping, SVOD platforms are expanding into lower-ARPU regions, testing ad-supported tiers, and forging partnerships like Netflix’s landmark TF1 deal, which blends traditional TV, live sports, and on-demand programming.