As film distributors continue to vertically integrate their pipelines, Pay-1 streaming windows remain one of the most contested and misunderstood phases of film monetization.
In a long-awaited move, California lawmakers have approved a dramatic expansion of the state’s Film and Television Tax Credit Program, more than doubling the annual cap from $330 million to $750 million.
Mubi’s transformation from a niche streaming service to a vertically integrated distributor began several years ago but reached an inflection point in 2024. With the global success of “The Substance,” Mubi proved it could generate awards attention and box office returns.
While most independent distributors faltered after the lockdowns started a cycle of theatrical collapse, Neon doubled down on theatrical releases, carefully timed VOD windows, and an expanding slate of in-house productions. But behind the critical acclaim lies a high-stakes business model facing mounting financial pressure.
Studios are no longer tied to a single strategy for releasing films. Instead, each major player is now juggling theatrical, transactional, and streaming windows with increasing precision. Below is an examination of how studios like Universal, Sony, and Paramount are embracing staggered, platform-specific Pay-One strategies.
February 24, 2025Comments Off on The Broadcast Boom: Why Traditional TV Still Matters in a Streaming World
As streaming platforms continue to dominate the conversation, traditional broadcast networks are proving their staying power by strategically aligning with digital platforms. New data confirms that network television still commands a substantial audience, with streaming partnerships extending its reach and influence.
June 28, 2025Comments Off on Streaming First, or PayTV Forever? The Global Battle Over Film Rights
As film distributors continue to vertically integrate their pipelines, Pay-1 streaming windows remain one of the most contested and misunderstood phases of film monetization.
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June 28, 2025Comments Off on Streaming First, or PayTV Forever? The Global Battle Over Film Rights
As film distributors continue to vertically integrate their pipelines, Pay-1 streaming windows remain one of the most contested and misunderstood phases of film monetization.
June 28, 2025Comments Off on Will California’s $750 Million Film Incentive Revive Production or Reward Studios?
In a long-awaited move, California lawmakers have approved a dramatic expansion of the state’s Film and Television Tax Credit Program, more than doubling the annual cap from $330 million to $750 million.
June 21, 2025Comments Off on Mubi Makes Its Move: Boutique Streamer Goes Global in Buying Blitz
Mubi’s transformation from a niche streaming service to a vertically integrated distributor began several years ago but reached an inflection point in 2024. With the global success of “The Substance,” Mubi proved it could generate awards attention and box office returns.
June 18, 2025Comments Off on The Secret Behind Neon’s Rise and Why Its Future Still Hangs in the Balance
While most independent distributors faltered after the lockdowns started a cycle of theatrical collapse, Neon doubled down on theatrical releases, carefully timed VOD windows, and an expanding slate of in-house productions. But behind the critical acclaim lies a high-stakes business model facing mounting financial pressure.
June 9, 2025Comments Off on Window Shopping: Why Holding Back Pays Off in Streaming Distribution
Studios are no longer tied to a single strategy for releasing films. Instead, each major player is now juggling theatrical, transactional, and streaming windows with increasing precision. Below is an examination of how studios like Universal, Sony, and Paramount are embracing staggered, platform-specific Pay-One strategies.
June 28, 2025Comments Off on Will California’s $750 Million Film Incentive Revive Production or Reward Studios?
In a long-awaited move, California lawmakers have approved a dramatic expansion of the state’s Film and Television Tax Credit Program, more than doubling the annual cap from $330 million to $750 million.
October 29, 2023Comments Off on Worldwide Film & Television Distribution Intelligence
Go inside dozens of content agreements for rights to transmit motion pictures and episodic television in multiple exhibition windows via PayTV and SVOD in Europe, Latin America, Canada, and the United States.
June 28, 2025Comments Off on Streaming First, or PayTV Forever? The Global Battle Over Film Rights
As film distributors continue to vertically integrate their pipelines, Pay-1 streaming windows remain one of the most contested and misunderstood phases of film monetization.
June 21, 2025Comments Off on Mubi Makes Its Move: Boutique Streamer Goes Global in Buying Blitz
Mubi’s transformation from a niche streaming service to a vertically integrated distributor began several years ago but reached an inflection point in 2024. With the global success of “The Substance,” Mubi proved it could generate awards attention and box office returns.
June 18, 2025Comments Off on The Secret Behind Neon’s Rise and Why Its Future Still Hangs in the Balance
While most independent distributors faltered after the lockdowns started a cycle of theatrical collapse, Neon doubled down on theatrical releases, carefully timed VOD windows, and an expanding slate of in-house productions. But behind the critical acclaim lies a high-stakes business model facing mounting financial pressure.
June 9, 2025Comments Off on Window Shopping: Why Holding Back Pays Off in Streaming Distribution
Studios are no longer tied to a single strategy for releasing films. Instead, each major player is now juggling theatrical, transactional, and streaming windows with increasing precision. Below is an examination of how studios like Universal, Sony, and Paramount are embracing staggered, platform-specific Pay-One strategies.
June 1, 2025Comments Off on Cannes Recalibrates: Pre-Sales Shrink, Streamers Stall, and Co-Productions Surge
The 2025 Cannes Market delivered more questions than answers, as industry players navigated, stalled US deals, shrinking Pay-1 licensing windows, and a growing rift between premium and mid-budget titles. High production and distribution costs are driving greater selectivity among studios and streamers, leaving many films without buyers in the North American market.