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[ April 24, 2024 ] Who’s Thriving and Who’s Struggling: Annual Streaming Scorecard Part Five Streaming
[ April 21, 2024 ] Navigating the Siren Song of Streaming as Studios Get Caught in the Undertow Streaming
[ April 17, 2024 ] Who’s Thriving and Who’s Struggling: Annual Streaming Scorecard Part Four Streaming
[ April 12, 2024 ] Unveiling Netflix’s New Content Strategy: Opening Doors to External Licensing Streaming
[ April 9, 2024 ] Cracking the Code: Inside the Intricate World of Content Licensing Deals and Slate Programming Distribution

Netflix and Amazon Abandon Theater Bid

December 30, 2018 FilmTake Comments Off

Amazon and Netflix both walked away from the opportunity to acquire Landmark Theaters.

Amazon Vies for Landmark Theaters

August 17, 2018 FilmTake Comments Off

Amazon is preparing to acquire Landmark Theaters according to unnamed sources. Fewer and fewer Americans are going to the theater, but those that do are spending more and more.

MoviePass Takes Aim at Indie Films

January 23, 2018 FilmTake Comments Off

At the Sundance Film Festival, theatrical ticketing service, MoviePass launched a new service to acquire distribution rights in partnership with other buyers.

Point of No Return for North America’s Box Office

January 2, 2018 FilmTake Comments Off

In 2017, North American theatrical admissions fell to 1992 levels. Admissions in the U.S and Canada dropped 6% to 1.23 billion tickets sold.

Is AMC Theaters for Sale?

December 8, 2017 FilmTake Comments Off

As Cineworld prepares to buy Regal, is AMC, the world’s largest cinema owner, also for sale? Six companies have approached AMC since September.

More Screens in Fewer Hands

December 6, 2017 FilmTake Comments Off

British film exhibitor Cineworld said on Tuesday it agreed to acquire the U.S.’s second largest film exhibitor Regal Entertainment for $3.6 billion.

Profit at IMAX China Fell 13% in 2016

March 30, 2017 FilmTake Comments Off

After the slowest growth rate in a decade at China’s box office, the Shanghai-based subsidiary of IMAX Corp. saw net profit fall 13% from 2015.

Changing Exhibition Markets and Practices

March 1, 2017 FilmTake Comments Off

Wanda Group is in the position to transform theatrical exhibition markets in English-speaking territories.

China Expected to Officially Expand Film Quotas

February 12, 2017 FilmTake Comments Off

China’s top film regulator, announced through state-run news sources that a quota expansion is likely in the coming months.

China’s Deserted Movie Theaters

January 15, 2017 FilmTake Comments Off

China doubled the number of movie screens from 20,000 in 2013 to 41,000 by 2016. Conversely, 2016 was the worst year in a decade at China’s box office.

China’s Rampant Box Office Fraud

November 10, 2016 FilmTake Comments Off

On Monday, China passed its first law addressing unbridled box office fraud. For years, theatrical corruption has been accepted as a part of doing business.

Netflix Calls Out Theater Owners

October 11, 2016 FilmTake Comments Off

At The New Yorker’s TechFest event last Friday the CEO of Netflix attacked the theater owners for the lack of innovation in the film business.

Update: Legendary Crossed $2B in Global Receipts

July 25, 2016 FilmTake Comments Off

For the first time, films produced by Legendary crossed $2B in box office receipts in 2015. Jurassic World accounted for 77% of all global receipts.

Update: Auditing China After $12M Paramount Fraud

July 15, 2016 FilmTake Comments Off

The MPAA and China film regulators negotiate to address box office fraud and expanding the number of non-Chinese films permitted on the mainland.

Insight: Wanda’s Antitrust Issue After Legendary Acquisition

January 14, 2016 FilmTake Comments Off

Antitrust issues are on the horizon for Wanda Group: CEO Wang Jianlin, China’s richest individual, announced the acquisition of Legendary for $3.5 billion.

Who’s Thriving and Who’s Struggling: Annual Streaming Scorecard Part Five

Streaming

April 24, 2024 Comments Off

It’s difficult to overstate the disastrous few years Warner Bros. has experienced under inept leadership. Boosting one of the most desirable film and television catalogs, the company has stumbled over every vital decision since 2020.

Navigating the Siren Song of Streaming as Studios Get Caught in the Undertow

Streaming

April 21, 2024 Comments Off

Hollywood’s approach to thriving in streaming has taken a sharply negative turn in the past few years. Initially, the strategy involved pouring resources into content to lure subscribers and ending profitable licensing agreements with aggregators

Streaming

Who’s Thriving and Who’s Struggling: Annual Streaming Scorecard Part Four

April 17, 2024 Comments Off

Paramount Global and Comcast have engaged in discussions to explore collaborating, including potentially merging their respective streaming services – Paramount+ and Peacock. However, it’s becoming clear that Paramount Global and its disastrous leadership team want

Who’s Thriving and Who’s Struggling: Annual Streaming Scorecard Part Five

Streaming

April 24, 2024 Comments Off

Navigating the Siren Song of Streaming as Studios Get Caught in the Undertow

Streaming

April 21, 2024 Comments Off

Who’s Thriving and Who’s Struggling: Annual Streaming Scorecard Part Four

Streaming

April 17, 2024 Comments Off

Unveiling Netflix’s New Content Strategy: Opening Doors to External Licensing

Streaming

April 12, 2024 Comments Off

Netflix has shifted its focus from prioritizing the production of original content to third-party content licensing once more. As an exclusive platform, Netflix’s management currently opposes licensing content externally, but the writing is on the wall for embracing external licensing.

Who’s Thriving and Who’s Struggling: Annual Streaming Scorecard Part Three

Streaming

March 14, 2024 Comments Off

Before unprecedented disruptions during 2020-21, streaming giants like Netflix and Amazon invested heavily in original films, but their investments have since fallen sharply. Likewise, the head of motion pictures departed after Netflix failed to deliver meaningful film releases.